Gael García Bernal and Natalia Oreiro Star in New Rom-Com for HBO Max

Gael García Bernal and Natalia Oreiro star in the upcoming romantic comedy Nada entre los dos, also known as Nothing Between Us or Sin Equipaje. The film has been acquired by HBO Max Latin America for distribution and by Latido Films for international sales. Directed by Juan Taratuto, it tells the story of two people whose lives intersect in unexpected ways, leading to romance amid everyday mishaps.

Background

Gael García Bernal has built a long career in film and television. He first gained notice in Y tu mamá también in 2001, where he played a young man on a road trip that explored friendship and self-discovery. That role put him on the map in Mexico and beyond. Later, he starred in Mozart in the Jungle, a series about the New York Philharmonic that ran for four seasons and earned him a Golden Globe.

Natalia Oreiro comes from Uruguay and has worked across South America in TV and film. She led Iosi, the Regretful Spy, a series based on real events from Argentina's history. In Santa Evita, she played a key figure in a story drawn from political scandals. Her roles often mix drama with strong emotional pulls.

Juan Taratuto directs this project. He has made films like La reconstrucción and El suceso, which look at relationships under pressure. He co-wrote Nada entre los dos with Matías Scartascini, who has credits in Argentine TV and film. Their script aims for humor in the small moments of life.

The production comes from Cinemarrón Cine, with producers Dolores Llosas, Santiago López Rodríguez, and Hernán Musaluppi. Llosas has worked on projects that cross borders, like films shown at major festivals. López Rodríguez and Musaluppi handle local Argentine productions. Shooting took place in locations that fit the story's light tone, though exact sites remain under wraps.

Romantic comedies from Latin America have seen a rise in interest. Streamers like HBO Max push for local content to draw viewers in the region. This film fits that trend, pairing big names with a simple plot about love without baggage.

Key Details

The cast includes more than just the leads. Leonardo Daniel plays a supporting role, known from Argentine theater and TV. Axel Madrazo joins as well, with parts in local series. Peto Menahem and Pia Watson round out key spots. Watson has appeared in international co-productions.

Production Team

Juan Taratuto leads as director and writer. Matías Scartascini shares writing duties. The team kept the shoot efficient, focusing on natural settings for the rom-com vibe. Producers ensured the budget stayed practical, aiming for wide appeal.

HBO Max Latin America picked up rights for the region. The platform has invested in originals like Mandela documentaries and series from Mexico and Argentina. Latido Films handles sales outside Latin America. The company has sold titles to festivals and buyers in Europe and North America.

The title Nada entre los dos points to the core idea: two people with nothing standing in their way once they meet. Early word suggests laughs come from mix-ups in travel or daily routines, leading to sparks.

"This film captures the joy of chance meetings in a busy world. Gael and Natalia bring real chemistry to their roles." – Juan Taratuto, director

Filming wrapped recently, with post-production moving fast. No release date is set, but HBO Max often drops new titles within a year of acquisition.

What This Means

For Gael García Bernal, this adds to a mix of genres. He moves from heavy dramas to lighter fare, showing his range. Fans of Y tu mamá también will see him in a fun mode again. Natalia Oreiro gains exposure on a big streamer, building on her spy thriller success.

HBO Max strengthens its Latin American lineup. The service competes with Netflix and others by offering local stars in feel-good stories. Nada entre los dos could pull in viewers looking for romance without subtitles issues in the region.

Latido Films eyes global markets. Romantic comedies travel well if they hit universal themes. This one might screen at festivals like San Sebastián or Toronto, leading to more deals.

The film highlights Argentine cinema's output. With talents like Taratuto and strong producers, it shows the industry can make streamer-ready content. Viewers in Latin America get another homegrown hit, while international audiences might discover new faces.

Broader trends play in. Streaming wars mean more money for regional films. Stars like Bernal draw crossover appeal, mixing Hollywood polish with local flavor. Oreiro's fan base in South America could boost numbers early.

Producers like Llosas have ties to festival circuits. Past projects earned awards, so this could follow suit. Sales agents like Latido track buyer interest at markets like Cannes or Berlin.

For the cast and crew, it's a step up. Smaller roles for actors like Madrazo and Watson open doors. Directors like Taratuto get to work with leads who elevate the material.

The story itself speaks to post-pandemic moods. Light romances offer escape, focusing on connections without heavy stakes. In a time when travel and meetings feel fresh again, the plot resonates.

HBO Max's move signals confidence. They see potential in the pairing and genre. If it performs, expect more similar pickups. Latin American rom-coms could become a staple, much like Korean dramas did.

Teams involved keep busy. Bernal has other projects lined up, including voice work and indies. Oreiro balances music and acting. Taratuto plans his next script. The film's path from set to screen shows how quickly deals move in streaming.

Viewers can watch for announcements on premiere dates. HBO Max often teases with trailers months ahead. This one might drop in late 2026 or early 2027, fitting holiday viewing slots.